Sathian, Mala Rajo (2022) Memorializing conflict and history in South Thailand through museums, art, and poetry. Public Historian, 44 (2). pp. 7-28. ISSN 0272-3433, DOI https://doi.org/10.1525/tph.2022.44.2.7.
Full text not available from this repository.Abstract
This article examines public history in Deep South (Patani)(1) Thailand, where renewed political conflict since 2014 has rekindled memories of a traumatic past and created an environment for its commemoration. A private museum honoring Haji Sulong, a Patanian nationalist branded as a rebel by Thai authorities, and the poetry of Zakariya Amataya conjure collective memories of the Deep South. Long subjected to hegemonic cultural policies that privilege a national identity centered on Thainess, the Malay South has gained visibility through the arts. Its vibrant arts-scape functions as a site of public history. The counterhistories produced serve to memorialize the past, offering a path out of historiographical silencing and potential for national reconciliation in the troubled region.
Item Type: | Article |
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Funders: | None |
Uncontrolled Keywords: | Deep South Thailand; Collective memory; Hegemonic state; Arts-scape; Counterhistories |
Subjects: | D History General and Old World > DS Asia |
Divisions: | Faculty of Arts and Social Sciences > Department of South East Asian Studies |
Depositing User: | Ms. Juhaida Abd Rahim |
Date Deposited: | 06 Oct 2023 05:56 |
Last Modified: | 06 Oct 2023 05:56 |
URI: | http://eprints.um.edu.my/id/eprint/42853 |
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