Parc, Jimmyn (2024) Between strong and weak copyright: their impacts on the Korean music industry. International Journal of Cultural Policy, 30 (6). pp. 762-773. ISSN 1028-6632, DOI https://doi.org/10.1080/10286632.2023.2268105.
Full text not available from this repository.Abstract
A common perception is that a strong copyright regime protects cultural diversity and creativity; thus, it should be well developed, implemented, and respected. However, this belief may be different for certain industries or countries. In other words, strong copyright may not bring about a positive impact as expected whereas weak copyright can bring about positive impacts contrary to one's expectations, which is different from the conventional belief on copyright. This paper explores this issue with the Korea music industry. Although this industry has recently enjoyed global popularity with K-pop, it was lesser-developed as it endured many difficulties over several decades. By comparing and analyzing these two contrasting periods, the case of the Korean music industry demonstrates that both weak and strong copyright has helped with its development. This interesting case can provide meaningful implications regarding the practice and development of copyright and its impact on the growth of the music industry, particularly in the era of digitization.
| Item Type: | Article |
|---|---|
| Funders: | Universiti Malaya (IF057-2021), Institute of Communication Research, Seoul National University |
| Uncontrolled Keywords: | K-pop; Korean music industry; copyright; weak copyright; digitization |
| Subjects: | H Social Sciences > H Social Sciences (General) M Music and Books on Music > M Music |
| Divisions: | Faculty of Arts and Social Sciences > Department of East Asian Studies |
| Depositing User: | Ms. Juhaida Abd Rahim |
| Date Deposited: | 31 Dec 2024 07:30 |
| Last Modified: | 31 Dec 2024 07:30 |
| URI: | http://eprints.um.edu.my/id/eprint/47151 |
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