Lee, S.P. and Ooi, Chong Heng Raymond and Wang, I.T. (2022) Fibonacci sequence and golden section in musical spaces. Symmetry: Culture and Science, 33 (2). 137 -154. ISSN 08654824, DOI https://doi.org/10.26830/symmetry_2022_2_137.
Full text not available from this repository.Abstract
The abstraction of the Fibonacci sequence through chord progressions can be applied in music analysis. The concept of inferring semitone spaces as vertical pitch heights (y) to music flowing at a horizontal time (x) as a form of 2-dimensional abstraction are ways of charting scientific influences in music. The article illustrates an excerpt (bar 113-120) from Bach’s Violin Chaconne (BWV 1004) with the Fibonacci sequence that identifies the vision in symmetry, whereas from Gubaidulina’s piano Chaconne (bar 117-204), creative chaos in asymmetry has been found at the Golden Section that presents a sequence in Fibonacci. These excerpts posit mathematical creativity manifested as the value of symmetry or chaos in composition through the lens of Fibonacci. © 2022, Symmetrion. All rights reserved.
| Item Type: | Article |
|---|---|
| Funders: | None |
| Uncontrolled Keywords: | Beauty in music; Creative Chaos in Asymmetry; Fibonacci Sequence (FS); Golden Section (GS); Symmetry |
| Subjects: | M Music and Books on Music > M Music |
| Divisions: | Faculty of Science > Department of Physics Faculty of Creative Arts (formerly known as the Cultural Centre) |
| Depositing User: | Ms. Juhaida Abd Rahim |
| Date Deposited: | 30 Nov 2023 06:58 |
| Last Modified: | 30 Nov 2023 06:58 |
| URI: | http://eprints.um.edu.my/id/eprint/43999 |
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